Tag Archives: Concerts

10 years ago, Pink Floyd reunited for the last time.

Hard to believe it’s been 10 years since the Live 8 shows happened across the globe, highlighted by London’s amazing lineup. Paul McCartney, U2, Elton John, and many more were on the London bill, but the reunion of Pink Floyd (mediated by Live 8 founder and Pink in The Wall himself, Bob Geldof) stole the show.

I had a satellite radio briefly at that time, and hooked it up only to listen to and record the various Live 8 performances as they were broadcast live. I wanted to listen, but mostly wanted to capture some live recordings for my own radio show on a classic rock radio station. Part of my show was a daily set of live cuts, so I spent the day with the satellite radio hooked to mini-disc recorder (remember those things?) scanning through many different feeds broadcasting the shows. I was able to get the Floyd reunion recorded, along with most of the big headliners all over the world. But Floyd was definitely the highlight. Their last reunion before the death of Rick Wright just a few years later. The last reunion of the classic-era Pink Floyd.

Watch the entire Floyd set below, and click to Ultimate Classic Rock for an excellent piece on the reunion. 

Get ready for Bonnaroo 2015!

Bonnaroo 2015 is just a few days away, June 11-14 in Manchester, TN. Music fans cut from every cloth will work their way to the Smoky Mountains to get their music fix. Everything from Billy Joel and Robert Plant to My Morning Jacket and Earth, Wind, & Fire will fill Bonnaroo’s stages.

Get the lowdown on all the details at Bonnarooo.com

You can also click here for Rolling Stone’s 2015 Bonnaroo guide. 

Inside The Rolling Stones ZipCode Tour.

The setlist is definitely heavier on the Hot Rocks than it is the deep album cuts, but when you’re playing stadiums I suppose you have to expect a lot of people to be there for the first time. Plus, when it’s the Stones, it’ll be good no matter how deep or shallow they dig into their 50-year catalog.

I’m catching this tour when it hits Pittsburgh in a couple of weeks at Heinz Field. It

ll be my 8th Stones show, and we’ll have three generations of fans in attendance with my 9 year-old son seeing his first.

For an in-depth look at the ZipCode tour click to Rolling Stone Magazine.

The Dead to release 80-disc, $700 box set of live recordings.

Would you be willing to shell out $700 for live recordings of the most bootlegged and bootlegger-friendly band of all time? The sales will be low, but the revenue possibly high for the band calling it a career over the upcoming Independence Day weekend. Fare Thee Well at Soldier Field in Chicago is all sold out with the four surviving core-members taking the same stage one last time (place your bets), along with some Dead-ish special guests like Warren Haynes and Bruce Hornsby.

If you can’t get there, stream it! Details on the Dead’s official site.

As for the set itself, it’s limited to 6,500 copies with a lightning-bolt USB version limited to 1,000, though it’s hard to call that limited when it costs $699. 30 shows recorded throughout the Jerry years. 73 hours of music? 73 hours is a bit much, but if you’re THAT fan, go for it. Definitely for the hardcore Deadhead. As much as I love them, I’ll pass. Who wants 20-30 versions of some of those songs? The hardcore Dead Geeks, I’m sure. The included book and gold-vinyl 45 sound cool, but not $700 cool. Fortunately for the more casual fan, you can get a 4 disc version that includes one track from each of the 30 shows.

CLICK HERE for all the info and the list of the 30 shows included in the set. Were you there for any of them?

AC/DC threaten legal action against brokers selling tickets that don’t yet exist? Angus!

My how the times have changed. Having recently gone through the hassle of buying concert tickets to 2 major stadium tours this Summer, I discovered just how convoluted the whole process has become, and also how shady it now is to try to score good seats to a big show.

My history of buying tickets is fairly limited. I spent years with free tickets to many shows, and my experience with buying premium seats was somewhat limited. However, those limited experiences were quite successful without ever paying outrageous prices to get seats from a sleazy broker.

Basically, I never had to find this guy at the mall to score Blue Oyster Cult tickets. Damone is selling tickets all over the net now.

Less than 20 years ago I was able to land front row tickets to the HORDE Festival by sending a money order and self-addressed stamped envelope to Blues Traveler and then waiting and hoping I’d get tickets in my envelope and not my money order returned. Sat front row for a full day of well-known acts for about $25. As recently as 1997 I scored seats in the 13th row to a Rolling Stones concert at Veterans Stadium in Philadelphia for about $50 simply by switching the long distance on my home phone to Sprint, who was sponsoring the tour. That was the beginning of the end for fans getting equal treatment in the concert ticket game. The internet was in every home and it’s where all the tickets were sold.

Enter 2015, and the brokers have already taken over. Not only are they selling premium seats for thousands of dollars, but they’re selling those seats before the show has even been announced. Rock legends AC/DC are in the midst of their Rock or Bust Tour, covering parts of Europe, Canada, the United States, and their home turf in Australia and New Zealand. The promoter of an upcoming AC/DC show in Auckland, New Zealand is threatening legal action against ticket reseller Viagogo (a rough equivalent to StubHub and similar broker sites), sending them a cease and desist, for offering tickets on their site before the tickets even exist. Viagogo claims it’s due to pre-allocation programs (what that actually entails is a mystery), and says it’s all perfectly legal. But is it fair? Can anything be done to change it? Remember Pearl Jam’s attempt at a boycott of Ticketmaster? Noble? Yes. Effective? Nah. Nothing changed in the Ticketmaster monopoly on the ticket business. Will AC/DC’s threat make a difference? Maybe, but it’ll be awhile to see any change.

But even when going through legit (or close to legit) sources like Ticketmaster, you’ll have to figure out when the pre-sales are, which pre-sale you can use, which pre-sale actually gives you a shot at good seats and not a block of seats in a urinal or behind a wall with no view that a small-time sponsor might get for their “Exclusive luxury super premium pre-sale seats”. While buying AC/DC tickets in February (for a show at the end of August), it was relatively pain-free, but still pricey, to score some floor seats at Met Life Stadium in the Meadowlands. However buying Rolling Stones tickets was like an obstacle course. Four different pre-sales with different start dates and different passwords, followed by special packages with names like Diamond, Sapphire, Ruby, Emerald, etc. Am I supposed to know the order of preciousness of these gems to decode if I want to spend $2,800 on a ticket or $3,100 for a ticket, and do I want a special tour laminate or am I good with just the special limited edition lithograph? Actually, all I wanted was a decent ticket. Which I got for a much higher price than 15 years ago for a much LESS desired seat. The confusion is actually a nice tactic to make me forget about how lucky I’m gonna feel when I can buy some decent seats for a hand and a foot instead of an arm and a leg.

Put Fans First, a UK movement that has the support of rockers like Black Sabbath and Iron Maiden is making some headway in changing the laws in the UK regarding the reselling of tickets, but again, the effectiveness of these campaigns remains to be seen. The bands and management involved in the biggest tours have to be more pro-active in the process. I understand that if someone is going to pay $3000 for a ticket to see The Stones, then The Stones should get the cash instead of the Cyber Damones of the world. The problem is that now the bands price 99% of their fans out of the best seats by selling the $3000″Diamond Package” themselves instead of selling it for $150 to a broker who will make the $2,850 profit.

Is there a solution to it? Probably not, unless they want to reserve a few rows up front and let the hardcore fans send in some money orders and pray to the rock Gods they get those coveted seats, just like bands such as The Grateful Dead, Blues Traveler, and even The Stones themselves did back in the day. Wayyyyy back…in the 90’s.

More details on AC/DC’s legal threats at Classic Rock.